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(Earlier post)

Some stragglers that didn't get added to the earlier post, as well as a few new ones:

Stephen King, The Outsider (2018)

Stephen King, If It Bleeds (2020)

Junji Ito, No Longer Human (2019)

Junji Ito, The Enigma of Amigara Fault (short story, 2012)

Alison Bechdel, Fun Home (2006)

Alison Bechdel, Are You My Mother? (2012)

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This has been a reading-year rather than a writing one. In no particular order:

Books read in 2022 )

stefanie_bean: (lost word)
Some which actually appear/are mentioned in-show:

- Lord of the Flies, by William Golding

- The Third Policeman, by Flann O'Brian

- The Invention of Morel, by Adolfo Bioy Casares

- Haroun and the Sea of Stories, by Salman Rushdie

- The Chronicles of Narnia, by CS Lewis

- Heart of Darkness, by Joseph Conrad

- VALIS, by Philip K. Dick

- Watership Down, by Richard Adams

Others not shown/mentioned in-show:

- The Stand, by Stephen King (big influence on LOST)

- The Langoliers, by Stephen King

- Island, by Aldous Huxley

- Jacob's Hands, by Aldous Huxley

- Mount Analogue, by René Daumal

stefanie_bean: (Default)
Dystopias often tend towards the epic. Utopias tend towards smaller "domestic realisms," even though it's far more likely in reality for us to experience dystopia than utopia.

Think of the cozy domesticity of Robinson Crusoe and Friday, versus the world-stage of endless global wars and social destruction of 1984.

Perhaps, also, it's harder to imagine optimism on a world-wide scale.

Writing on my LOST novel got a whole lot easier when I realized (admitted to myself, maybe?) that I was writing a utopian "domestic realism" story with a good dose of love and relationship-forming, not some kind of epic.

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