“News of the OTW bubbled up from many directions at once, most likely through my associations with Escapade, but also through an academic colleague whose partner at the time was involved. I was so excited to hear about the emergence of this fan advocacy network which brought together fannish lawyers willing to help protect our fair use rights as fans; fan scholars publishing their work through a peer-reviewed journal; fan programmers using their skills in support of the community; and of course, an archive where fans controlled what happened to their own works without the interference of web 2.0 interests.
Each of these things is important on its own terms, but taken together, this organization has been a transformative force, in all senses of the words, for fans and their rights to participate.”
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Fandom: Yuri!!! on Ice (Anime)
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Yuri Plisetsky & Victor Nikiforov, Yuri Plisetsky & Yakov Feltsman, Lilia Baranovskaya/Yakov Feltsman
Characters: Yuri Plisetsky, Victor Nikiforov, Yakov Feltsman, Lilia Baranovskaya
Additional Tags: Rivals, Post-Canon, Growing Up, Coming of Age, growth spurt, Injury, 2018 Winter Olympics, Aging
Summary: Yuri Plisetsky will never step out of Victor's shadow. Not if Victor has anything to do with it.
Or, the epic Nikiforov/Plisetsky rivalry in the run-up to the 2018 Games.
Here it is, the long one. The first chapter of the long one, at least.
A friend tells me that 'rage-filled teenage boy athlete' is not my usual aesthetic – probably an understatement! But it's a refreshing change in writing terms, and it's good to stretch yourself... right?
We've been around a while now, so as part of celebrating our 10th anniversary here are 25 things to know about the OTW! https://goo.gl/FuuMWS
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What were some of your early experiences like when your work gained its own fans?
I think my favorite experience is seeing the fan art, and seeing fanfic from my books show up in Yuletide. That’s hugely exciting to see fanfic and fan art of your work, especially to someone who was a fan from way back in the print zine era.
The first time something I’d created showed up as a fandom option for Yuletide, I literally cried. Happy tears! But it was like, HOLY WHAT NO HOW OMG VIXY LOOK AT THIS DO YOU SEE THIS. It’s amazing. It’s still amazing. I can’t read any of the fanfic of my own work, but knowing it exists makes me so happy.
the Aspark Owl; 1396
© Bill Pusztai 2017
Well, I'm in Europe. Frankfurt right now. It's all a bit overwhelming, largely due to the jetlag which is really kicking my ass. We have completed shooting the auto show and spent some time yesterday sightseeing.
Frankfurt, pollarded sycamores by the river; 6350
© Bill Pusztai 2017
What things have you been excited to see in recent years, either regarding fandom or work in your genre(s)?
I really like fanfiction and its explosion on the internet. I think fanfic is a great way for people to learn the craft skills of writing. Many of my college students fall in love with writing that way: by reading fanfic and then starting to write it themselves. I always encourage them to go for it! I love the supportive structure it creates for imagination and fantasy to run wild. I think that realm is so important. Imagination lets us explore quandaries of desire and justice and truth and conflict: all the central problems of what it means to be human.
It’s been incredibly exciting to see so many writers from our fandom specifically or fandom in general out there publishing books. Of course we all know the big ones—EL James, Cassie Clare—but there are others from the Twi world that had fantastic voices and ideas and who are now also bestsellers. Sally Thorne, Alice Clayton, Nina Bocci, Leisa Rayven, Mariana Zapata, Amanda Weaver—all of these women wrote fantastic fic.
I've been having quite a bit of trouble with getting an ending for my 'dancing at the masquerade' story — not assisted, of course, by the inconvenient fact that Christine turns out not only to dance with Raoul before their little argument (It's an engagement, not a crime!) but actually gets lifted by him at that earlier stage, which was what I'd been intending to use as the grand climax of the 'dance'.
I eventually managed to fudge the issue about all the dancing sequences shown in my part of the narrative actually being repeats of stuff they've done already, although I can't really do much at this stage about the problem of things happening in my story that don't observably happen on stage — Christine and Raoul stop dancing and argue again at least once, for instance, whereas in the musical it's just one long chorus routine. But since with the exception of the separation and reunion with which I had decided to start the story it isn't even really a narrative ballet scene, it's a bit tricky to make a coherent conversation out of it as it stands.( Read more... )
Ironically, although this final chapter is narrated from Christine's point of view it's really Gustave's backstory, just as the previous chapter was as much Christine's backstory as Raoul's...
Ch 4: Mort pour la France
Paris in the autumn was as busy as ever. The leaves on the trees were dusty as the streets and beginning to turn brown, and the sun through the windows of the tramcar struck hot on Christine’s cheek as it had not done all summer — or perhaps, she thought, adjusting her blue uniform cloak, perhaps it had, and she had not been in any condition to notice it.
She descended from the tram at the corner of the boulevard Mont-St-Fleury with a nod to the lady conductress — the war had changed many things — and began to walk rather slowly towards the little café further down. In the pocket of her dress, behind the red cross sewn at her breast, lay the letter that had brought her here, dragging at her steps like a weight from which she had believed herself cut free. She was tired: too tired to feel anything, she told herself, with a bone-deep weariness born of long nights of strain and endless exhausting days of labour over shattered bodies in improvised wards behind the lines.
There was nothing romantic in nursing; Raoul had been right — poor Raoul! But that reflex jolt of memory was nothing more than a dull echo now.( Read more... )
So, in a fit of absence of mind, I have nominated:
Return to Night - Mary Renault
Figure Skating RPF
Evan Lysacek [not so attached to him, does anyone have someone they'd like me to nominate instead?]
Cycling Commentator RPF
Sean Kelly [ditto... does anyone want Gary Imlach or Matt Stephens or Brian Smith?]
I'll be in North Wales for work tomorrow (!) and staying into Saturday for a mini-break, so I thought it was best to get things tided away now, lest I forget.
As part of our Five Things an OTW Volunteer Said series, we have a special anniversary edition with OTW co-founder Naomi Novik. She discusses its evolution during her 10 yrs volunteering for it: https://goo.gl/nJXJrY
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